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The Triplets of Belleville

(Les triplettes de Belleville / Belleville Rendez-vous)
France/Canada/Belgium 2003. Director: Sylvain Chomet
Cast: Béatrice Bonifassi, Lina Boudreau, Mari-Lou Gauthier, Charles Linton, Michèle Caucheteux

An irresistible instant classic from French comic book artist Sylvain Chomet (who supervised its production while living in Montreal), the eye-popping, retro-looking, triumphantly eccentric Triplets of Bellevue marked an inspired return, in our age of antiseptic computer-animated blockbusters, to the good old-fashioned glories of hand-drawn animation. After her bicycling grandson Champion goes missing during the Tour de France, elderly Madame Souza, suspecting foul play, sets off with plump pooch Bruno to find him. Their journey leads them overseas to the Manhattan-like metropolis of Belleville, where they are aided by a renowned trio of singing sisters. Unapologetically French yet universally appealing, Triplets blends giddy caricature, the cinema of Jacques Tati, a nostalgia for vintage French pop culture, and even the Gallic penchant for frogs’ legs into a dazzlingly inventive visual concoction. The superb aural design uses next-to-no dialogue (making subtitles unnecessary). The film earned Oscar nominations in the Best Animated Feature and Best Original Song categories. (Chomet’s second animated feature, 2010’s The Illusionist, was also Oscar nominated). “A smashing debut . . . Triplets is animated rapture from sweet start to enthralling finish line” (Mary Corliss, Film Comment). “Ingenious and original” (J. Hoberman, Village Voice). Colour, 35mm. 80 mins.

REVIEWS

"Vous guessed it by now: Triplettes is terrific."

Time Magazine | full review

"A winning blend of dark and bittersweet, aimed more at adults than kiddies, but suitable for all ages."

Variety | full review

"It's impossible to watch this movie without gasping at its graphics, and yet we're so drawn into Chomet's way of seeing that, after a while, his genius erases the distinction between animation and live action."

New York Magazine | full review