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The Passion of Joan of Arc

(La Passion de Jeanne d’Arc)
France 1929. Director: Carl Theodor Dreyer
Cast: Renée Falconetti, Eugène Silvain, André Berley, Antonin Artaud, Michel Simon

Seldom has the face provided a more harrowing window to the human soul than in Carl Theodor Dreyer’s moving late silent masterpiece, often cited as one of the greatest films ever made. Based on actual transcripts of the proceedings, the film compresses the 18-month trial, torture, and execution of Joan of Arc into a single 24-hour period; Renée Falconetti, in the only film she ever made, gives a legendary performance in the lead. The brilliant cinematography of Rudolph Maté employs extreme close-ups against stark white backgrounds, and eschews the use of make-up on the actors. The result is a wrenching tour-de-force of emotion and expression. Dreyer’s original version of the film was long thought lost; for decades, only substandard screening prints, in differing versions, were available. This gorgeous digital restoration was made from a pristine copy of Dreyer’s original discovered in 1981 in a Norwegian mental institution, and features as musical score Richard Einhorn’s Voices of Light , a 1994 oratorio inspired by the film. “One of the greatest of all movies. . . Falconetti’s Joan may be the finest performance ever recorded on film” (Pauline Kael). “Like an historical document from an era in which the cinema didn’t exist” (Jean Cocteau). B&W, DVD, silent with musical score and French intertitles with English subtitles. 82 mins.

REVIEWS

"You cannot know the history of silent film unless you know the face of Renee Maria Falconetti."

Chicago Sun-Times | full review

"When one leaves the theatre the face of that peasant girl with all its soulfulness appears to leap from one to another in a throng. Long afterward you think of the tears welling from the eyes, of the faith that seemed to stay any suggestion of irritation."

New York Times | full review

"Dreyer's radical approach to constructing space and the slow intensity of his mobile style make this "difficult" in the sense that, like all the greatest films, it reinvents the world from the ground up."

Chicago Reader | full review