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Gentlemen Prefer Blondes

USA 1953. Director: Howard Hawks
Cast: Marilyn Monroe, Jane Russell, Charles Coburn, Elliott Reid, Tommy Noonan

NEW 35mm RESTORATION! Screening in a glorious new 35mm restoration, Gentlemen Prefer Blondes has hard-boiled Howard Hawks directing Marilyn Monroe and Jane Russell in a garish, giddy, spectacularly colourful musical comedy. The battle-of-the-sexes romp casts the actresses as two buxom buddies golddigging while on a transatlantic ocean voyage. Monroe is breathy blonde Lorelei Lee, looking for loot; Russell is sharp-tongued, raven-haired Dorothy, looking for love. The film makes great ironic play with the Monroe/Russell sexpot stereotypes, features Monroe memorably crooning “Diamonds Are a Girl’s Best Friend,” and allows Russell to steal the show with a knockout sardonic turn that showcases her considerable comic talents. Based on Anita Loos’s saucy Broadway musical, Gentlemen Prefer Blondes is glorious good fun — and a great female buddy movie to boot. Choreographer Jack Cole, not Hawks, reportedly directed the film’s music numbers — essentially 40% of the film. Even so, Blondes has “Hawks’s signature all over it: Russell’s wisecracking, take-no-shit dame, the frantic yet unflappably smooth pacing; and how Lorelei and Dorothy’s affectionate friendship takes center stage, the ultimate Hawksian touch” (David Fear, Time Out New York). “[From] the mammary-mad ’50s . . . a musical that is as close to satire as Hawks’s films ever get on the nature (and perversions) of sexual relations in America” (Molly Haskell). Colour, 35mm. 91 mins.

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REVIEWS

"There is that about Miss Russell and also about Miss Monroe that keeps you looking at them even when they have little or nothing to do. Call it inherent magnetism. Call it luxurious coquetry. Call it whatever you fancy."

New York Times | full review

"There's more warmth in [Russell's] fondly bemused looks at Monroe, whose friendship is a front-row ticket to the best show in town."

Vilage Voice | full review

"A landmark encounter in the battle of the sexes."

Chicago Reader | full review

"You won’t find a more elegant take on ’50s va-va-voom vulgarity or a more joyous paean to cheesecake self-empowerment."

Time Out New York | full review