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House

Japan 1977. Director: Nobuhiko Obayashi
Cast: Kimiko Ikegami, Eriko Tanaka, Kumiko Ohba, Ai Matsubara, Masayo Miyako

RETURN ENGAGEMENT! NEW 35mm PRINT! House is back in the house! This gloriously demented, utterly one-of-a-kind freakout was a brain-boiling hit during its premiere run at Pacific Cinémathèque in April. We’re happy to bring it back for a brief return engagement (on the same weekend we’re debuting the HD restoration of the giddy 1973 Canadian cult romp Cannibal Girls). “How to describe Nobuhiko Obayashi’s 1977 movie House? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Dario Argento? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home, only to come face to face with evil spirits, bloodthirsty pianos, and a demonic housecat. Too absurd to be genuinely terrifying, yet too nightmarish to be merely comic, House seems like it was beamed to Earth from another planet. Or perhaps the mind of a child: the director fashioned the script after the eccentric musings of his eleven-year-old daughter, then employed all the tricks in his analog arsenal (mattes, animation, and collage) to make them a visually astonishing, raucous reality. Never before released in North America, and a bona fide cult classic in the making, House is one of the most exciting genre discoveries in years” (Janus Films). Colour, 35mm, in Japanese with English subtitles. 87 mins.

REVIEWS

"Shot with so much visual panache and mid-70s excess that it comes off like Ringu on a Pixy Stix-fueled hug-a-thon ... a brain-rattling delight."

Austin Chronicle | full review

"It may be impossible not to be stunned into dumbness by Nobuhiko Obayashi's House ... Gigglers and cultists, pony up."

Village Voice | full review

"Delirious, deranged, gonzo or just gone, baby, gone — no single adjective or even a pileup does justice to House, a 1977 Japanese haunted-house freakout."

New York Times | full review