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Cremaster 4
USA 1994. Director: Matthew Barney
Cast: Matthew Barney, Dave Molyneux, Graham Molyneux, Steve Sinnott, Karl Sinnott
Cremaster 4 — the first instalment of “The Cremaster Cycle” to be made – is set on the Isle of Man, and combines local myth, motorcycle racing and Matthew Barney’s gonad obsession into a strange, sticky brew. Barney plays the Loughton Candidate, a flame-haired, tap-dancing satyr with two sets of impacted sockets on his head; these are to grow into the distinctive horns of the mature Loughton ram, a breed of sheep native to the island. Meanwhile, two colour-coded teams of motorcycle sidecar racers – the Ascending and Descending Hacks – prepare to depart. “When it was first shown, [Cremaster 4] represented a watershed in the use of video in the art world. The sheer logistical scale of the project, not to mention the breadth of its ambition, radically transformed notions of what was possible for artists in the medium. And, in the thrilling image of his character, the Loughton Candidate, walking across the sea floor, Barney created one of the iconic moments in contemporary art” (Francis McKee, Sight and Sound). “A surreal, slapstick fantasy; sexuality turned into a bizarre vaudeville” (Stephen Holden, New York Times). Colour, 35mm. 42 mins.
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“A ravishing stretch of cinema . . . rich and quite, quite strange” (David Frankel, Artforum), Cremaster 5 casts Bond Girl Ursula Andress opposite Matthew Barney in lush, lyric opera staged and set in Budapest (where Harry Houdini, a pivotal icon of “The Cremaster Cycle,” was born). “When total descension is finally attained in Cremaster 5, it is envisioned as a tragic love story set in the romantic dreamscape of late 19th-century Budapest . . . Cremaster 5 opens with an overture that introduces the opera’s characters and lays out the map of Budapest that the narrative will traverse . . . The curtain rises to an empty theatre, the conductor readies his orchestra, and the opera begins . . . ‘The Cremaster Cycle’ defers any definitive conclusion” (Nancy Spector, Guggenheim Museum). Colour, 35mm. 55 mins.