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A unique and hugely influential talent in the American cinema, John Cassavetes acted in routine Hollywood fare in order to finance the compulsive, improvisational independent films, full of pressurized performances, abrasive emotions, and vérité style, he made as a writer-director. “Over thirty years after its self-distributed release, Cassavetes’s masterpiece retains the power to unnerve with its raw, often harrowing depiction of a blue-collar Los Angeles family on the rocks. At its trembling heart, Gena Rowlands’s performance as Mabel Longhetti, wife of everyman Nick (Peter Falk) and mother of three, stands as a virtually unmatched tour de force. As a woman struggling desperately to reconcile who she thinks she should be — as wife, mother, lover, friend — with the anarchic spirit she really is, Mabel is the kind of intense, complex, and above all deeply human role that is still all too rare in Hollywood. While Rowlands and Cassavetes were both nominated for Academy Awards for their work, critics at the time were sharply divided about Cassavetes’s intent. Audiences, however, embraced the film, despite the rigorous, demanding emotional experience it offers without concession” (Paul Malcolm). Colour, 35mm. 155 mins. Preservation funded by The Film Foundation.
"Miss Rowlands unleashes an extraordinary characterization of a harried, anxious creature, who's convinced that she "makes a jerk of" herself every day."
New York Times | full review"One of Cassavetes' best films, with a suitably ambiguous title for a plot that manages to be political in its social implications without succumbing to any crass statements."
Time Out London | full review