This magisterial film — the great masterpiece of Kurosawa’s late period — is both an enthralling piece of epic movie-making and an inspired reworking of King Lear.
Tati’s first incarnation as the inimitable M. Hulot — a gawky, pipe-smoking refugee from the French middle class — and a short film from 1936 starring a young Tati. [more...]
Our age of the automobile is delightfully, deliciously skewered in Tati's final theatrical feature and the film that marked the last screen appearance of M. Hulot. [more...]
Alfred Hitchcock’s first film in colour, and first with frequent leading man Jimmy Stewart, was this audacious experiment in the use of the long take and real time. [more...]
Alfred Hitchcock’s first film in colour, and first with frequent leading man Jimmy Stewart, was this audacious experiment in the use of the long take and real time. [more...]