"The first major motion picture to come out of Congo in decades happens to be one of the best neo-noirs from anywhere in recent memory."

Anne Émond’s provocative drama won the Claude Jutra Award (best first feature) at this year’s Genies and was named best Canadian feature at VIFF.

VANCOUVER PREMIERE! Gherman’s dizzying, dazzling drama, adapted from a story by poet and Nobel Prize winner Joseph Brodsky, "resembles nothing else in cinema."

The fourth feature by Canadian writer-director Philippe Falardeau has won a host of national and international honours, among them an Oscar nomination and six Genies.

A collection of short films created as part of “Back Down the Highway,” a Cineworks-sponsored short film competition, followed by Bruce McDonald’s quirky rock ’n’ roll road movie.

VANCOUVER PREMIERE! This uncommonly intimate rock-doc reveals a fascinating, frustrating talent who was as prolific and productive as he was polarizing and self-destructive.

NEW 35mm PRINT! Bruce McDonald’s fabulous faux documentary was famously championed by Quentin Tarantino, and is now both cult favourite and Canadian classic.

Gherman’s arresting third solo feature, is one of the of the most heralded Russian films of the last 30 years, and one of the most celebrated movies of glasnost.

Terrence Malick dares to ponder (and visualize) the hardest, vastest, most daunting questions — and creates a film of awesome, affirmative, haunting beauty.

One of the landmark films of the 1960s, and now often cited as one of the greatest films ever made, Stanley Kubrick's cosmic epic offers a spectacular speculative history.

The first stop-motion animated feature selected for Cannes brings to life a topsy-turvy world populated by cheap plastic figurines.

This arresting documentary follows a young psychotherapist in Gaza as he struggles to provide therapy against a backdrop of armed clashes and his own family issues.

Švankmajer's first feature was this highly perverse, highly personal adult adaptation of Alice in Wonderland, hailed by many as the definitive film version of Lewis Carroll’s classic.

Offering a fantastical retelling of the Faust legend, Švankmajer's second feature-length film is a tour-de-force of black magic and black humour.

A wordless take on sexual fetishism and fantasy that draws on Freud, de Sade, Buñuel, and Max Ernst.