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¡Viva el Cine Mexicano!

FEBRUARY 10-21

A major retrospective of classic and contemporary cinema to commemorate the 200th anniversary of Mexican independence and the 100th anniversary of the Mexican Revolution

Presented in conjunction with the Consulate General of Mexico and the Vancouver Latin American Film Festival.

Pacific Cinémathèque is pleased to join with the Vancouver Latin American Film Festival and the Consulate General of Mexico in Vancouver in presenting ¡Viva el Cine Mexicano!, a major retrospective of classic and contemporary Mexican cinema. This 15-film exhibition has been organized to commemorate two major Mexican milestones that will be marked in 2010: the 200th anniversary of Mexican independence, and the 100th anniversary of the Mexican Revolution. The program showcases works spanning 75 years of illustrious Mexican cinema. Included are classics by Emilio Fernández, Fernando de Fuentes, Luis Buñuel, Paul Leduc, and Arturo Ripstein; two celebrated films dramatizing the Revolution, de Fuentes’s El Compadre Mendoza (1934) and Leduc’s Reed: Insurgent Mexico (1973); and key films by some of contemporary Mexican cinema’s most important and acclaimed directors, including Alfonso Cuarón, Guillermo del Toro, Carlos Carrera, Dana Rotberg, Roberto Sneider, María Novaro, and Carlos Bolado. Many of these artists are represented by their debut or breakthrough works. Five of the films screening here won the Ariel Award (Mexico’s equivalent of the Oscar) for Best First Feature; seven received the Golden Ariel for Best Film. Our exhibition opens with Jorge Fons’s multiple-prize-winning Midaq Alley (1995), which may be the most honoured Mexican film in history. We close with Carlos Reygadas’s extraordinary Silent Light (2008), one of the great films of current world cinema. (Silent Light also screens this January/February cycle in Pacific Cinémathèque’s “Best of the Decade” program, as do additional features by both Cuarón and del Toro — some measure perhaps of the ascendancy, in recent years, of Mexican filmmakers to a place of true international prominence).

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Acknowledgments:
Producer/Organizer: Víctor Martínez Aja
General Coordination in Mexico: Adriana Castillo
Programmers: Moisés Jiménez, Adriana Castillo, Víctor Martínez Aja
Consulate General of Mexico in Vancouver: Ángel Villalobos Rodríguez, Juan José Salgado, Fernando Álvarez
Mexican Tourism Board: Daniel Gutiérrez, Alejandro Grajeda
Mexican Film Institute: Marina Stavenhagen, Cristina Prado, Dora Moreno, Maru Garzón, Alejandro Díaz Sanvicente
Filmoteca UNAM: Guadalupe Ferrer, José Manuel García, Jenny Herrera
Fundación Cultural Televisa: Alejandra Menache
Secretaría de Relaciones Exteriores: Jaime Jaimes, Berenice Thomassiny

Click for film notes + showtimes
Salma Hayek shines in this "vibrant portrait of millennial Mexico City” (Ed Morales, Village Voice).
“Exceptionally compelling. Mexican critics routinely cite it as the best film ever made in their country” (Jay Scott, Globe and Mail).
The fine debut feature of Paul Leduc dramatizes American journalist John Reed’s accounts of the Mexican Revolution.
This satirical sex comedy set in the age of AIDS marks the auspicious debut of director Alfonso Cuarón.
An offbeat, affecting reworking of the Beauty and the Beast legend set in a small Mexican town.
A bizarre, subversive drama in the Buñuelian mode.
The startling debut feature of Guillermo del Toro, writer-director of Hellboy and Pan’s Labyrinth.
The folkloric, the fantastic and the fatalistic memorably combine in director Dana Rotberg’s award-winning second feature.
A delightful comedy adapted from a novel by Jorge Ibargüengoitia: director Roberto Sneider’s debut feature.
A stylish, well acted, beautifully-shot melodrama.
A small but impressive film about the relationship between a mother and daughter.
Luis Buñuel, in peak perverse form, indulges his fondness for foot fetishism and amour fou, among other obsessions, in this wicked, witty black comedy.
The film's images — some haunting, some moving, some painful, some enchanting — gradually form a mosaic of Frida Kahlo's interior and exterior life.
The extraordinary directorial debut of noted Mexican film editor Carlos Bolado won an impressive seven Ariel Awards (the Mexican Oscars).
A rigorous, powerful, profoundly beautiful drama of faith and redemption that consciously evokes the metaphysical cinema of Bresson or Dreyer.