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Jour de fête
(Holiday / The Big Day)
France 1949. Director: Jacques Tati
Cast: Jacques Tati, Guy Decomble, Paul Frankeur, Santa Relli, Maine Vallée
Restored Colour Version! ► “A masterpiece by one of the key figures in the history of cinema” (Jonathan Rosenbaum, Chicago Reader), French comic master Jacques Tati’s charming debut feature remains a favourite of many, and serves as a wonderful primer on the pet methods and preoccupations of the Tati universe: the fascination with tradition at odds with modernity and technology; the flair for visual gags, aural design, and intricate comic sequences; the minimal, almost non-existent spoken dialogue. Tati plays François, a gangly, gawky village postman — and a clear prototype for M. Hulot, Tati’s most famous creation. When François sees a short film about the modern, ultra-efficient American postal system, he sets out to streamline his own old-fashioned operations — with hilarious results. Jour de fête was originally shot in an unperfected French colour process, only to then be released in black-and-white; the original colour version was rescued and restored in 1990s, after Tati’s death. “Here we have the true descendant of the silent movie comedians . . . What also emerges is [Tati’s] brilliant use of space — the tiny incident at the corner of the screen — an ability to create characters in a few revealing shots, and his slightly sentimental view of the old French values” (Bloomsbury Foreign Film Guide). Colour, 35mm, in French with English subtitles. 79 mins.
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The School for Postmen
(L’école des facteurs)
France 1947. Director: Jacques Tati
Cast: Jacques Tati, Paul Demange
Tati had made some tentative forays into filmmaking in the 1930s, but this popular comic short — a trial-run for Jour de fête, his first feature, two years later — was his solo directorial debut. The actor-director plays a gangly village postman caught up in the local postmaster’s efforts to streamline service. “There is not a visually dull moment” (David Bellos). “Genius . . . Its minimalist perfection was expanded into the full-blown perfection of Jour de fête” (Gilbert Adair). B&W, 35mm, in French with English subtitles. 14 mins.
"It’s a perfect movie for children — some of whom catch certain details that adults are prone to miss — and seeing it on a big screen can be as enveloping and as transporting an experience as many of the better Disney animated features."
Chicago Reader | full review"Proving that the postman always rings twice and Jan. 11 is his red-letter day, the ingenious and unprecedented color restoration of Gallic comedian Jacques Tati's "Jour de fete" is cause for celebration."
Variety | full review